The Wrath of Elihu

The Wrath of Elihu by William Blake, created in 1825, stands as a profound example of the artist’s late printmaking mastery. This powerful British work is an original engraving, a medium Blake utilized extensively throughout his career to disseminate his complex theological and poetic visions. The piece belongs to the monumental series of illustrations for the biblical Book of Job, arguably Blake’s final great illuminated undertaking. Executed near the end of the artist's life, the series demonstrates a unique synthesis of classical technique and highly personal mystical iconography, characteristic of the 1801 to 1825 period in British art.

Blake illustrates the pivotal moment when Elihu, a young man, interrupts the conversation between Job and his three friends. Elihu expresses his indignation at Job's self-justification and his companions' inability to provide satisfactory counsel, thus presenting a perspective rooted in divine justice and omniscience. The dynamic composition and intense handling of light and shadow, achieved through the intricate cross-hatching of the engraving technique, amplify the sense of spiritual revelation and tension. Blake’s distinctive style, which fuses the human form with swirling lines suggestive of spiritual energy and righteous fury, makes the print instantly recognizable. While rooted in traditional biblical narratives, Blake imbues the scene with an apocalyptic intensity reflecting his profound theological engagement.

This important work is classified as a master print and resides in the permanent collection of the National Gallery of Art in Washington, D.C. As a foundational work of early nineteenth-century printmaking, The Wrath of Elihu continues to be studied for its technical brilliance and interpretive depth. Due to its age and historical significance within the British artistic tradition of the 1801 to 1825 era, the image is frequently considered part of the public domain, ensuring widespread access to high-quality reproductions and materials for scholarly engagement. This final period of Blake’s career solidified his legacy as one of the most unique and influential figures in British art history.