The Woman with Figs

The Woman with Figs by Paul Gauguin (French, 1848–1903), created in 1894, exemplifies the Post-Impressionist master's complex relationship with printmaking during his mature period. This rare impression, classified as a print, showcases a sophisticated combination of processes, executed as an etching with open bite.

Gauguin utilized a reed pen to apply the design directly onto the zinc plate, resulting in distinctive, variable lines and textures that contrast sharply with the more static techniques of conventional etching. The print was realized in dark green ink, featuring selective wiping during the inking process, which emphasizes the proofing nature of the impression and highlights tonal depth on the cream wove Japanese paper. This nuanced technical execution reflects the artist’s dedication to pushing the boundaries of graphic arts.

Although primarily associated with his time in Tahiti, this 1894 work was produced during a period when Gauguin was active in France, experimenting intensely with various print media. The subject, a contemplative figure bearing fruit, is viewed through the lens of Symbolist sensibilities and reflects the artist’s ongoing interest in integrating non-Western motifs into his European art practice.

This unique example of Gauguin’s graphic output is held within the distinguished collection of the Art Institute of Chicago. Due to the historical period of its creation, works like this piece are increasingly becoming available as high-resolution images within the public domain, ensuring global access to the intricate details of the master’s prints for study and appreciation.