The Windmill (reverse copy)

The Windmill (reverse copy) is an intricate print attributed to the circle of Rembrandt van Rijn, reflecting an original composition dating to approximately 1620. This particular impression, classified as copy ‘a,’ is executed using the etching technique. The widespread appeal and influence of Rembrandt’s graphic arts meant that copies of his prints continued to be produced long after his death, a practice reflected in the expansive production dates associated with this work, which stretch up to 1966.

The original work captures the essential character of the Dutch landscape. Focusing squarely on the iconic subject of windmills, the piece demonstrates Rembrandt’s commitment to recording the topography and working life of the Netherlands during the Golden Age. While the copying process resulted in a reversed image relative to the original plate, the defining qualities of the composition—such as the strong structural lines and the subtle modulation of tonal depth—remain clear.

Rembrandt was revolutionary in his application of etching, pushing the medium beyond simple illustration into complex artistic expression. The popularity of the master’s prints ensured that his designs circulated internationally, inspiring generations of artists, printmakers, and collectors. This enduring appreciation means that various iterations of works like The Windmill have become historically significant, often entering the public domain for wider study and enjoyment. This impression of the etching is preserved within the esteemed collection of the Metropolitan Museum of Art, where it serves as a testament to the lasting legacy of Rembrandt’s foundational contributions to the art of the print.