The Vigil is a powerful and intimate print created by Jean François Millet (French, 1814-1875) in 1856. This work showcases Millet’s adept handling of graphic arts, moving beyond the oil medium for which he is most famous. The composition utilizes the detailed technique of etching, produced from a zinc plate, which results in the deep, textural lines characteristic of this era of prints. The imagery is rendered in a warm black ink, meticulously applied to delicate ivory laid China paper, which was subsequently hinged at the lower left corner to an ivory card for preservation and display.
Millet’s career spanned the height of the Realist movement in mid-19th century France. Though often associated with the Barbizon School, the core focus of his output remained the solemn dignity and persistent labor of rural life. While the specific subject matter of The Vigil is understated, typical of his genre scenes, it demonstrates the artist’s mastery of light and shadow, using the dense cross-hatching of the etching process to evoke a serious, perhaps nocturnal, atmosphere within a humble setting.
The production of such graphic works was a crucial part of Millet's output, offering more accessible prints and studies than his monumental canvases. This piece contributes to the strong collection of 19th-century French prints housed at the Art Institute of Chicago. Because of its historical significance and institutional ownership, high-resolution digital copies of these important prints are frequently made available through public domain resources, ensuring that the legacy of this esteemed 1814-1875 master remains accessible for study worldwide.