The Two Cows is a significant print created by Jean François Millet French, 1814-1875, dating from the years 1842 to 1852. Classified as a print, the work was expertly executed utilizing the demanding graphic combination of etching and drypoint on ivory wove paper. This technical choice allows the artist to achieve both the crisp linearity characteristic of etching and the rich, velvety textures imparted by the drypoint burr, enhancing the realism of the bovine subjects.
Millet was a central figure associated with the Barbizon School, dedicating his oeuvre to depicting rural life and the dignity of labor within 19th-century France. Although this piece predates some of his most famous large-scale paintings, it demonstrates his early, profound interest in everyday agricultural reality. The depiction of the cows is direct and unsentimental, reflecting the artist’s commitment to realism rather than idealization, a theme that would define his career. The artist often drew inspiration from the landscapes and farm animals surrounding him, viewing these simple subjects as metaphors for enduring life and natural cycles.
The medium of prints, which includes techniques like etching, was crucial for Millet, providing an outlet to refine his drawing skills and disseminate images beyond the scope of traditional oil painting. While he is celebrated for works such as The Gleaners, his graphic production offers a vital insight into his draftsmanship and compositional development. This particular impression of The Two Cows is housed within the renowned collection of the Art Institute of Chicago, where it serves as a testament to Millet’s mastery of the graphic arts. Today, many of Millet's important prints are widely available through public domain initiatives, ensuring the continued study of this master's influential French realism.