The Triumphal Chariot of Maximilian I (The Great Triumphal Car) by Albrecht Dürer, print, 1523

The Triumphal Chariot of Maximilian I (The Great Triumphal Car)

Albrecht Dürer

Year
1523
Medium
woodcut//Eight joined plates
Dimensions
sheet: 53.02 × 233.76 cm (20 7/8 × 92 in.)
Museum
National Gallery of Art

About This Artwork

The Triumphal Chariot of Maximilian I (The Great Triumphal Car) by Albrecht Dürer is a monumental example of early 16th-century German printmaking, completed in 1523. This impressive structure is not a single image, but rather a complex print constructed from eight separate woodcut plates meticulously joined together, emphasizing the grand scale and ambitious propaganda typical of Imperial commissions during the period 1501 to 1550.

Dürer designed the work under the patronage of Holy Roman Emperor Maximilian I. Although the concept was developed before the Emperor’s death, the completed, massive woodcut functions as a dramatic visual representation of the ruler’s achievements, virtues, and genealogy. The composition depicts the Emperor enthroned in an elaborate chariot pulled by twelve allegorical figures representing different virtues, such as Justice, Moderation, and Honor. Surrounding the carriage, further figures celebrate Maximilian’s military victories and political alliances, creating a comprehensive narrative of Hapsburg imperial power.

Dürer’s execution in the woodcut medium demonstrates the mastery required in German Renaissance graphic arts. The process required the precise carving of eight large blocks, which necessitated extreme accuracy when aligning the resulting impressions to form a cohesive, single image stretching over seven feet in length. The highly detailed carving manages the immense scale while maintaining clarity across the complex symbolism, drapery, and iconography that crowd the scene.

This historical Print is housed in the collection of the National Gallery of Art. Serving as both historical document and artistic triumph, works like The Triumphal Chariot of Maximilian I are vital sources for understanding the intersection of art and imperial strategy in the sixteenth century. Because of its historical prominence, high-quality prints of this work are studied globally and frequently available through public domain collections, ensuring the continued accessibility of Dürer’s monumental design.

Cultural & Historical Context

Classification
Print
Culture
German
Period
1501 to 1550

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