The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 5 of 8] by Albrecht Dürer is a monumental German woodcut published in 1522. Although the design was conceived years earlier as part of Emperor Maximilian I’s self-aggrandizing propaganda project, The Triumphs of Maximilian I, the printing of the completed work took place after the Emperor’s death in 1519. This complex print constitutes one section of an eight-part frieze, designed to be assembled into a colossal image of the imperial processional vehicle. As one of the most ambitious print projects undertaken during the period 1501 to 1550, the Triumphwagen served as a powerful declaration of imperial power and virtue.
Dürer, the era’s foremost graphic artist, was central to the execution of this elaborate visual program. The project, which also included the much larger Triumphal Arch, required close collaboration among various designers, woodcutters, and scholars. The Chariot itself is richly symbolic, an allegory representing Maximilian’s virtues and accomplishments, driven by personifications of justice, temperance, and wisdom. Plate 5 contributes significant visual weight to the overall composition, detailing the ornate structure and likely featuring some of the central allegorical figures associated with the Emperor's rule. The sophisticated detail achieved in this specific woodcut exemplifies the technical mastery Dürer brought to the medium, elevating the status of prints throughout the Northern Renaissance.
This work resides in the National Gallery of Art collection, where it preserves the legacy of imperial German art and the utility of the woodcut technique for mass distribution. The sheer scale and intricate composition of The Triumphal Chariot of Maximilian I demonstrate the high standards of Northern European printmaking. As the work is now frequently digitized, high-resolution images of this piece are often available through public domain initiatives, ensuring continued access to this historic masterwork.