The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 3 of 8] is a monumental woodcut executed by the renowned German master Albrecht Dürer, dated 1522. This specific work forms a crucial component of an elaborate print series commissioned by Holy Roman Emperor Maximilian I before his death in 1519. The project’s eventual completion and publication in 1522 defined a period of vast imperial patronage within the arts, characterizing the European artistic output between 1501 to 1550.
Plate 3 is integral to the overall composition, contributing to the central structure of the eight-block triumphal carriage itself. The Triumphal Chariot was designed to function both as an artistic celebration and as complex political propaganda. The image meticulously utilizes classical and allegorical figures, though they are not all visible in this specific segment, to symbolize the Emperor’s inherited virtues, historical legitimacy, and military power. This series, alongside the accompanying Arch of Triumph, was one of the most ambitious print campaigns ever undertaken, utilizing the reproducible nature of woodcuts to ensure the wide dissemination of Maximilian’s glorified legacy across Europe.
Dürer’s role was primarily as the designer of the vast scenes, collaborating closely with specialist block cutters who translated his intricate preparatory drawings into the finalized woodblocks. The technical quality and narrative complexity visible in these prints demonstrate Dürer’s foundational contribution to the elevation of the print medium during the Northern Renaissance. The subsequent widespread availability of these prints further cemented the status of Dürer as a leading figure in German art. This pivotal piece of history and art, which evidences imperial propaganda and Renaissance printmaking techniques, is held in the permanent collection of the National Gallery of Art. Today, many such historic prints are accessible through the public domain for scholarly research and appreciation.