The Three Friends (Les Trois amies) by Pablo Picasso is a significant example of the artist's engagement with classicism during the post-WWI era. Created in 1923, this elegant print is executed using the technique of etching, highlighting the Spanish master's continuous exploration of graphic media alongside his monumental paintings. This period marked a distinct shift in Picasso's artistic practice, moving away from the fragmentation of Cubism toward robust, classically inspired figures characterized by simplicity and mass.
The composition, which depicts three figures, reflects the period’s "return to order," favoring defined lines and structural integrity over expressive chaos. Picasso utilized the precision afforded by the etching process to render his subjects with clear, economical outlines. This allowed him to explore volume and weight purely through linear definition, relying minimally on heavy shading or chiaroscuro to define space. The resulting image stands as a testament to the discipline required of Neoclassical drawing, even when applied to intimate subjects suggested by the title. The work further demonstrates the high quality of graphic output Picasso produced in 1923, utilizing prints as a crucial medium for experimentation.
Although the subject matter is handled with restraint, the scale and handling of the figures retain a sense of antique monumentality, which often permeated Picasso's Spanish sensibility during this decade. Classified specifically as a print, The Three Friends is an important component of the artist’s graphic oeuvre. This compelling piece is housed in the permanent collection of the Museum of Modern Art, where it helps illustrate the pivotal stylistic transition that defined European modernism in the early 1920s.