The Temptation of Saint Anthony

"The Temptation of Saint Anthony" by Giovanni Battista Tiepolo Italian, 1696–1770, is a dynamic classification drawing executed early in the artist’s mature career, dating between 1720 and 1734. The work exemplifies the highly expressive draftsmanship characteristic of the Venetian Rococo period, revealing Tiepolo’s preparation for large-scale commissions or serving as an independent capriccio.

The technique employed in this piece is notably complex, layering various materials to achieve rich tonal contrasts. Tiepolo utilized pen and brown ink and brush and brown wash as the primary media, defining forms with swift, energetic lines and atmospheric washes. He further refined the drawing using black chalk and traces of charcoal for deep shadows, and touches of white gouache were applied sparingly to the ivory laid paper for dramatic highlights and luminosity. This intricate blend of materials demonstrates the artist’s technical mastery in creating works that feel both spontaneous and highly resolved.

The subject matter, the arduous spiritual struggle of Saint Anthony the Great, was a recurring motif in European art, symbolizing piety and perseverance against diabolical influence. Tiepolo’s interpretation suggests the turbulent nature of the saint’s visions through active composition and intense visual texture. Originating in Italy, the work’s historical significance places it within a time frame where high-resolution images are often accessible through public domain collections, allowing enthusiasts worldwide to study or acquire prints of this powerful composition. This masterful drawing is housed in the permanent collection of the Art Institute of Chicago.