The Supper at Emmaus

The drawing The Supper at Emmaus by an artist identified only as a Follower of Rembrandt van Rijn Dutch, 1606-1669, captures the pivotal New Testament moment when Christ reveals his resurrected identity to two disciples. This compelling work, executed in pen and brown ink on cream laid paper, exemplifies the skillful draftsmanship and narrative intensity favored during the Dutch Golden Age. Dating stylistically between 1626 and 1669, this piece demonstrates a close study of Rembrandt’s influential techniques, particularly the dramatic use of light and shadow, or chiaroscuro, achieved through varying line weight and cross-hatching density.

The psychological depth and emotional focus applied to this biblical subject were central to artistic production in the Netherlands during this era. While the identity of this follower remains undetermined, the work stands as a testament to the master's widespread impact on younger generations of artists practicing religious narrative. The composition centers on the disciples’ startled, profound realization, rendered with economical but expressive ink strokes.

This significant drawing is a key part of the Art Institute of Chicago’s collection, offering invaluable insight into the graphic arts during the 17th century. The influence of the earlier 1606-1669 master is clearly evident in the composition's intensity and focused mood. Today, high-quality prints and digital reproductions of many such historical drawings are frequently made available through public domain initiatives, ensuring that works reflecting the dramatic style of Rembrandt and his contemporaries remain accessible to scholars and enthusiasts worldwide.