The Sudarium Held by One Angel is a profound etching created by the master German Renaissance artist Albrecht Dürer in 1516. This striking print functions as an independent devotional image, capturing the intense spiritual focus characteristic of Dürer’s mature period. The technique of etching, which Dürer began employing regularly in the 1510s, allowed him to achieve fine tonal gradations and expressive, fluid lines that distinguish this piece from his more rigidly controlled engravings.
The subject centers on the Sudarium, or Veil of Veronica, which miraculously bears the true image of Christ’s face after his Passion. Rather than depicting the moment of Christ’s suffering, Dürer focuses solely on the sacred relic itself, presenting it for meditation. A single, powerful angel supports the heavy drapery of the veil, its wings spreading dramatically behind the relic. The angel’s expression is one of solemn mourning, directly linking the image to the themes of divine sacrifice and eternal grief. The detailed rendering of the angel, utilizing subtle cross-hatching to define muscle and form, highlights the artist's unparalleled skill in creating sculptural depth on a two-dimensional surface.
This work exemplifies the importance of devotional prints during the Northern Renaissance, allowing sacred imagery to be reproduced and distributed widely among the populace. The print style is characteristic of Dürer's late period, combining meticulous detail with deep emotional resonance. Today, this exemplary etching resides within the comprehensive collection of the Metropolitan Museum of Art. Like many prints by this German Renaissance master, reproductions of this work are frequently made available through public domain sources, ensuring the continued appreciation and study of Dürer’s legacy.