The Stoning of St. Stephen

"The Stoning of St. Stephen" by Rembrandt van Rijn, dated 1635, is a dramatic early example of the artist’s prolific output in the etching medium. Executed during the Dutch Golden Age, this religious print depicts the martyrdom of St. Stephen, the first Christian martyr, as described in the Book of Acts. Rembrandt’s technical skill is evident in his use of varied line work to delineate the tumultuous scene, employing heavy hatching and deep shadows to heighten the contrast and emotional intensity.

The composition centers on the saint, who is overwhelmed by the aggressive throng of men carrying out the execution. While categorized broadly by its subjects of Saints and Men, Rembrandt infuses the scene with psychological depth, utilizing dynamic poses and complex facial expressions to convey both spiritual transcendence and visceral violence. The dramatic interplay of light and darkness characteristic of 17th-century art emphasizes the moment of divine intervention promised to Stephen.

Rembrandt’s contribution to the history of prints is monumental, and this etching serves as an important document of his early narrative style. This particular impression of the work resides in the esteemed collection of the Metropolitan Museum of Art. Due to its age and cultural importance, like many of the master’s celebrated prints, the image is often found in the public domain, allowing institutions and researchers continued access for scholarly interpretation and general enjoyment.