The small lion hunt, with two lions, created by Rembrandt van Rijn between 1627 and 1637, is a dynamic example of the artist's early mastery of printmaking. Classified as a print, this piece utilizes the complex technique of etching to depict a dramatic conflict. Executed during a period when Rembrandt was rapidly expanding his subject matter and technical experimentation, this work captures a moment of intense action often associated with Baroque tastes.
The composition is densely packed, focusing on the ferocious encounter central to the genre of the lion hunt. Several Men mounted on powerful Horses confront the two Lions, whose forms are rendered with vigorous lines characteristic of Rembrandt's early etching style. The chaotic energy of the hunting scene is palpable, with figures twisting and straining under the pressure of the attack. This impression is identified as the second of two known states, revealing the subtle changes and refinements Rembrandt made during the print production process, highlighting his dedication to developing the image plate.
Although known primarily for his portraits and religious scenes, Rembrandt frequently explored exotic and historical subjects in his Prints. This particular work demonstrates the Dutch Golden Age fascination with dramatic narrative and distant themes. The etching resides in the permanent collection of the Metropolitan Museum of Art, where it serves as an important record of the artist’s prolific output in the medium of etching between 1627 and 1637.