The Sleeping Congregation

The Sleeping Congregation by William Hogarth, dated 1762, is a biting satirical commentary delivered through the medium of etching and engraving. This particular impression represents the fourth and final state of the print. Hogarth, renowned for his moral series and sharp observations of 18th-century English life, uses the church setting to critique the perceived dullness and moral complacency of the contemporary clergy. The composition focuses on members of the congregation, both men and women, demonstrating deep slumber rather than spiritual engagement.

The central figures are clearly portrayed in various stages of repose, emphasizing the humorous disconnect between the solemn act of attending service and the reality of the scene. The preacher, barely visible above the pulpit, drones on while figures around him are slumped in exhaustion. Although the scene nominally depicts a setting for religious devotion, the tags of reading and praying are secondary to the overwhelming presence of sleeping figures. The sole figure appearing truly engaged is the clerk, who stares out at the viewer, perhaps in resignation or mild disbelief.

As a highly sought-after example of Hogarth’s graphic works, this piece showcases the artist's technical mastery in creating detailed, narrative prints. The composition operates as a visual joke on the lethargy prevalent in religious life during the Georgian period. It is currently held in the esteemed collection of the Metropolitan Museum of Art. Because of its age and prominence, reproductions of this artwork frequently enter the public domain, ensuring widespread access to Hogarth's powerful social observations and furthering the study of 18th-century satirical art.