The Sixth Knot

The Sixth Knot by Albrecht Dürer German, 1471-1528, created in 1507, is a sophisticated example of German Renaissance graphic arts that focuses entirely on abstract, decorative complexity. This piece is classified as a print, specifically a woodcut executed meticulously in black on fine ivory laid paper. Although Dürer is perhaps best known for his narrative masterpieces, the creation of highly technical design prints, often referencing classical or contemporaneous Italian patterns, demonstrates his broad artistic interests. Dürer’s technical mastery of the woodcut medium is evident in the work, successfully translating the delicate, overlapping complexity of the pattern into the bold, restrictive language of the woodblock.

The subject matter of The Sixth Knot is non-narrative, comprised solely of intricate interlace designs. This series of ornamental knots is believed by scholars to reflect Dürer’s intellectual engagement with geometry and the work of his Italian contemporary, Leonardo da Vinci, who had also explored similar design motifs. Such graphic prints, originating from Germany in the early 16th century, were easily reproducible, contributing significantly to the widespread dissemination of new visual forms and Renaissance aesthetics across Northern Europe.

As a vital piece of his graphic output, this work demonstrates Dürer’s unparalleled contribution to the history of printmaking. The enduring legacy of this German master is ensured by the longevity of his accessible prints. This original impression resides in the prestigious collection of the Art Institute of Chicago. Today, because such fine prints often enter the public domain centuries after their creation, Dürer’s influential designs remain accessible to researchers and artists worldwide.