The Risen Christ between St Andrew and Longinus

The Risen Christ between St Andrew and Longinus by Andrea Mantegna, dating from approximately 1470-1475, stands as a seminal example of Early Renaissance Italian printmaking. Executed as a copperplate engraving, the work showcases Mantegna’s distinctive linear precision and dramatic handling of form. This mastery of the burin helped elevate the status of prints from mere reproductions to independent artistic achievements in 15th-century Italy.

The subject is profoundly theological: the resurrected Christ is shown flanked by two key figures of Christian tradition, Saint Andrew, the apostle, and Longinus, the Roman centurion who famously pierced Christ's side. Mantegna employed his characteristic stylistic severity, giving the figures a monumental, sculptural quality reminiscent of classical antiquity. The meticulous cross-hatching and defined line work are essential to the medium, detailing the anatomy and drapery with a powerful visual density. Mantegna often utilized a sotto in sù (seen from below) perspective in his compositions, a technique visible here which enhances the dramatic scale and imposing presence of the sacred figures.

This impressive piece, a cornerstone of the artist's graphic output and influence, is held in the permanent collection of the Cleveland Museum of Art. The work demonstrates how Mantegna bridged the gap between painting and printmaking, setting a high standard for Renaissance masters who followed. Because of the historical significance of these early prints, high-quality digital reproductions of this masterwork are increasingly available in the public domain, allowing broader study of Mantegna’s technical innovations in the graphic arts.