The Rest on the Flight into Egypt; lightly etched

"The Rest on the Flight into Egypt; lightly etched" by Rembrandt (Rembrandt van Rijn) is an exquisite example of seventeenth-century printmaking, executed around 1645 using the combined techniques of etching and drypoint. This intimate work captures a quiet moment of repose for the Holy Family during their flight into Egypt, a common subject in Christian iconography.

The composition relies on subtle contrasts and delicate linework, characteristic of Rembrandt's mastery of the graphic arts. The scene features the sleeping figures of men and women: Joseph, the primary male figure, rests beside the tethered donkey, while the Virgin Mary, the female figure, cradles the Infant Christ. Unlike some of Rembrandt's more dramatic prints, this work employs a delicate, lightly etched approach, creating an atmosphere of deep tranquility and focusing entirely on the humanity of the figures.

Created during the height of the Dutch Golden Age, this print illustrates Rembrandt's ongoing exploration of biblical subjects through the innovative use of shadow and line. The drypoint elements offer rich, velvety tones to the darkest areas, enhancing the emotional depth of the narrative. Rembrandt’s graphic works were highly valued during his lifetime and remain foundational examples of the print medium.

This impression, classified as a significant example of the artist's oeuvre, resides within the comprehensive collection of the Metropolitan Museum of Art. Like many of this master’s historical prints, the image often circulates through public domain collections, ensuring the widespread study and appreciation of The Rest on the Flight into Egypt; lightly etched.