The Raising of Lazarus: Small Plate

"The Raising of Lazarus: Small Plate," created in 1642 by Rembrandt van Rijn Dutch, 1606-1669, is a profound example of the artist's mastery of printmaking during the height of the Dutch Golden Age. Classified as a print, this etching was executed in black ink on fine ivory laid paper. This work demonstrates the artist’s unparalleled command of the etching needle, particularly in achieving deep tonal contrasts and a sense of dramatic chiaroscuro within a modest visual field, distinguishing it from his earlier, larger treatments of the same biblical subject.

The composition captures the powerful moment described in the Gospel of John, where Christ stands at the tomb entrance, commanding Lazarus to rise. Rembrandt expertly manipulates light and shadow, enveloping most of the scene in darkness while focusing illumination intensely on the emerging figure of Lazarus and the startled faces of the onlookers gathered around the grave. This tight, concentrated focus amplifies the emotional intensity and the miraculous nature of the resurrection.

Throughout his prolific career in the Netherlands, Rembrandt frequently utilized printmaking to explore religious and psychological narratives with innovative technical approaches. The detailed preparation and intricate execution underscore why he is considered one of the foremost etchers of the 17th century. This specific impression is held in the permanent collection of the Art Institute of Chicago, contributing to its comprehensive survey of Netherlandish graphic art. Today, high-quality images and prints of this work are often digitized and made available through public domain initiatives, ensuring widespread scholarly and public access to the technical brilliance of this historic print.