The Raising of Lazarus: Small Plate

The Raising of Lazarus: Small Plate, created in 1642 by Rembrandt van Rijn, is a compelling example of the artist’s mastery in the print medium, specifically etching. Executed during the peak of the Dutch Golden Age, this small-scale work tackles one of the New Testament’s most dramatic miracles: the moment Christ calls Lazarus forth from the grave.

This print, dating squarely within the 1601 to 1650 period, showcases Rijn’s exceptional control over the etching needle, employing delicate lines and sophisticated cross-hatching to manipulate light and shadow. The scene is enveloped in near-darkness, focusing attention on the figure of Christ and the emerging, shrouded Lazarus. This dramatic use of chiaroscuro lends immense psychological weight to the composition, highlighting the astonishment of the witnesses and the spiritual power of the miracle. Unlike some of Rijn’s earlier, larger efforts on this same subject, the intimacy afforded by the "small plate" format amplifies the intensity of the confrontation between life and death.

The artist frequently revisited biblical themes throughout his career, often using them as vehicles to explore the human response to the divine. This version is prized by scholars for its concentrated energy and the sensitivity with which Rijn portrays the varied reactions of the crowd, distinguishing it as a key work in his extensive graphic oeuvre. As one of the most important Dutch artists of the 17th century, Rijn’s prints remain a vital resource for studying historical artistry. Many of these historical prints are now widely accessible and often fall into the public domain, allowing for greater global appreciation. This foundational etching is maintained within the prestigious collection of the National Gallery of Art.