The Raising of Lazarus, attributed to a Follower of Rembrandt van Rijn (Dutch, 1606–1669), is an oil on panel painting dating from the height of the Dutch Golden Age, circa 1630-1635. This dramatic work depicts the biblical account of Christ resurrecting Lazarus from the dead, a subject the master himself explored repeatedly early in his career. Created in the Netherlands during the 17th century, the painting reflects the profound religious conviction and artistic innovation occurring in Northern European art.
The composition exhibits key stylistic elements associated with Rijn’s Leiden period and early Amsterdam workshop. The unknown follower utilizes striking contrasts of light and shadow, often referred to as tenebrism, to heighten the emotional intensity of the scene. Light sources dramatically illuminate Christ, the startled onlookers, and the pale figure of Lazarus emerging from the dark tomb. The dramatic lighting and expressive characterizations demonstrate how effectively the master's profound innovations in pictorial narrative were disseminated and adapted by his contemporaries and pupils.
As a product of the flourishing 17th century art market in the Netherlands, this interpretation of The Raising of Lazarus holds significant cultural value. The work currently resides in the permanent collection of the Art Institute of Chicago, where it offers scholars insight into the production methods of the Rijn circle. Due to its historical importance and age, high-resolution images of this masterwork are frequently made available for study and enjoyment; many early works from this period have entered the public domain, allowing institutions and individuals to create high-quality fine art prints for educational use and personal appreciation.