The Prodigal Son by Albrecht Dürer, created in 1496, stands as a pivotal early work in the history of Northern Renaissance printmaking. Executed as a highly detailed copperplate engraving, this piece demonstrates the young artist's exceptional technical command of the burin and his ability to translate complex narrative and intricate texture into the precise language of line work. This mastery helped establish Dürer’s burgeoning reputation across Europe.
The subject is derived from the Gospel of Luke, illustrating the climax of the Biblical parable when the wayward son realizes the depth of his degradation. Dürer captures the youth kneeling in profound remorse within a filthy pigsty. The composition expertly integrates the necessary subject matter, showing the central figure surrounded by the unclean animals and several other men who serve as silent witnesses or fellow laborers. Careful rendering of the rustic buildings and thatched structures in the background frames the scene, highlighting the desperate, isolated environment to which the Prodigal Son has been reduced.
Dürer’s prints are renowned for their tonal depth, achieved through the varied density of engraved lines. This particular engraving showcases the artist's commitment to realism, from the shaggy hides of the pigs to the tattered garments clinging to the protagonist. This influential work is now maintained in the permanent collection of the Metropolitan Museum of Art. As a work of this antiquity, it resides in the public domain, securing its continued importance for the study of German Renaissance art and the development of the graphic arts.