The presentation in the temple: oblong print

"The presentation in the temple: oblong print" is a significant etching created by the Dutch master Rembrandt van Rijn in 1640. This small-format work on paper depicts the biblical moment from the Gospel of Luke when the infant Christ is presented by Mary and Joseph to the High Priest Simeon, fulfilling Mosaic law. Rijn often revisited this central New Testament subject throughout his career, using his signature control of light and shadow to heighten the dramatic and spiritual impact of the scene. The designation "oblong print" specifically refers to the unusual horizontal orientation of the printing plate, which allows the artist to stage the crowded temple interior more broadly than in his typical upright compositions.

The technique employed here is that of a finely detailed etching and drypoint. While the composition is relatively modest in scale, Rijn expertly utilizes the contrast between dense, dark cross-hatching and illuminated areas, focusing the viewer's attention sharply on the central figures of the Holy Family and Simeon. This mastery of tonal variation and dramatic lighting distinguished Rijn's prolific output of prints during the 17th century, making his graphic works highly sought after by contemporary collectors. The emotional depth conveyed, particularly in the aged face of Simeon as he recognizes the Messiah, is typical of the psychological intensity Rijn brought to his religious narratives.

This exceptional example of Dutch Golden Age graphic art is preserved in the prestigious collection of the Rijksmuseum in Amsterdam. Due to the historical nature and widespread accessibility of works on paper from this era, high-resolution reproductions of this print are often made available through the museum’s collection records, occasionally placing The presentation in the temple: oblong print within the public domain for scholarly study and general appreciation.