The Mystery of Masonry Brought to Light by the Gormagons

The Mystery of Masonry Brought to Light by the Gormagons, created by William Hogarth in 1724, is a powerful example of early English social and political satire rendered through graphic media. Executed using the demanding technique of etching and engraving, this impression represents the third and final state of the composition, reflecting Hogarth’s ongoing refinement of the complex visual commentary. The work directly targets the secretive nature and perceived absurdity of the growing Freemasonry movement in 18th-century London, referencing a rival or fictional anti-Masonic group known as the Gormagons.

Hogarth employs intensely chaotic and absurd imagery to illustrate the supposed folly of Masonic rituals being exposed. The central scene features various men involved in undignified or ridiculous activities, suggesting the entire operation is a sham. The composition is layered with satirical elements, including several ladders positioned precariously, symbolizing the instability and amateurism of the organization being mocked.

Furthering the visual jest, the composition incorporates animals, notably donkeys and monkeys, common symbols in 18th-century visual culture used to represent foolishness, mimicry, and base behavior. This particular print helped establish Hogarth’s reputation as the preeminent visual satirist of his era. This key piece of graphic art resides in the collection of the Metropolitan Museum of Art, offering valuable insight into the cultural anxieties of early modern London. Today, high-resolution prints of this significant 1724 satire are widely available through the public domain.