The Mountain, plate 2 from Le Fleuve

The Mountain, plate 2 from Le Fleuve is an intricate graphic work created by Édouard Manet in 1874. This print, executed in a masterful combination of etching, drypoint, and aquatint on ivory laid paper, demonstrates Manet’s sophisticated engagement with intaglio techniques. Although primarily known as a pivotal figure in modern French painting, Manet dedicated significant time to printmaking, utilizing these complex media to achieve specific textures and tonal variations not possible in traditional illustration.

This piece was produced as part of the collaborative project Le Fleuve, which featured text written by Charles Cros. The multi-faceted creation involved several key players in 19th-century France: the specialized printing was handled by Auguste Delâtre and Cochet, while the volume was published jointly by Librairie de l'eau-forte and Richard Lesclide. This complex chain of production underscores the collaborative nature of avant-garde printmaking during the Impressionist period. Manet often used graphic art to explore themes and compositions parallel to those in his paintings, establishing the print medium as a major expressive form rather than simply a means of reproduction.

The technical skill required to seamlessly blend etching for outline, drypoint for rich burr effects, and aquatint for broad areas of tone distinguishes this work as a significant example of French graphic arts from the era. This print, which is now classified within the public domain, offers valuable insight into the diverse practice of the artist. This key work by Manet is housed in the permanent collection of the Art Institute of Chicago.