The Monstrous Sow of Landser by Albrecht Dürer (German, 1471-1528), created in 1496, is an early and important example of the artist's pioneering use of the engraving medium. This print, executed in black ink on ivory laid paper, demonstrates the meticulous precision Dürer achieved in his graphic works, elevating the classification of the print from a mere reproductive technique to a fine art form.
The subject matter relates to a widely reported event: the birth of a grotesque natural aberration in the German town of Landser, Alsace. During the late 15th century, such anomalies were widely interpreted by society as divine omens or signs of impending political or religious upheaval. Dürer capitalized on the public fascination with these prodigies, utilizing the print medium to disseminate this image rapidly across Germany and the wider continent. The detailed rendering, characteristic of Dürer’s burgeoning Northern Renaissance style, transforms the subject from a simple report into a powerful icon reflecting the era's anxieties and superstitious beliefs.
The technical skill evident in this piece demonstrates Dürer’s pioneering use of dense cross-hatching and varied line weight to achieve profound textural detail and convincing shadow. This print is a testament to the young Dürer's technical mastery and keen eye for culturally significant events. This important early work from the prolific career of the master draftsman is part of the distinguished collection of the Art Institute of Chicago. As the image falls into the public domain, it remains a frequently studied example of late 15th-century graphic art, showcasing the artist’s engagement with both scientific observation and popular folklore.