The Meeting of Abraham and Melchizedek by Peter Paul Rubens, painting, 1626

The Meeting of Abraham and Melchizedek

Peter Paul Rubens

Year
1626
Medium
oil on panel
Dimensions
overall: 65.5 x 82.4 cm (25 13/16 x 32 7/16 in.) framed: 96.8 x 113.4 cm (38 1/8 x 44 5/8 in.)
Museum
National Gallery of Art

About This Artwork

"The Meeting of Abraham and Melchizedek" is a significant oil on panel painting created by Sir Peter Paul Rubens around 1626. This piece exemplifies the dynamic religious narrative popular within Flemish Baroque art of the period 1601 to 1650. The subject, drawn from the Book of Genesis, illustrates the meeting between the patriarch Abraham, returning triumphant after rescuing Lot, and Melchizedek, the King of Salem and "priest of God Most High," who offers bread and wine.

Rubens renders the scene with characteristic energy, employing rapid brushwork and rich coloring to enhance the dramatic contrast between the two central figures. Abraham, leading his armor-clad, militaristic entourage, is juxtaposed against the priestly, ceremonial procession led by Melchizedek. The composition is highly theatrical, utilizing dramatic highlights to draw attention to the central theological exchange—Melchizedek’s offering being widely interpreted as a typological foreshadowing of the New Testament Eucharist. This attention to theological detail and emotional intensity solidified Rubens’s reputation as the preeminent artist of the Northern Baroque.

Executed on a stable wood panel, the work achieves a meticulously finished surface that underscores the artist’s mastery of texture and material representation, from shimmering armor to sacerdotal vestments. The Meeting of Abraham and Melchizedek is preserved in the permanent collection of the National Gallery of Art, Washington D.C., where it represents a crucial example of Rubens’s mature style. Due to its historical importance and age, the painting is often documented digitally, allowing high-quality prints derived from the public domain images of this celebrated masterwork to be widely available for scholarly and educational purposes.

Cultural & Historical Context

Classification
Painting
Culture
Flemish
Period
1601 to 1650

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