The Meeting in the Woods (La Rencontre du bosquet) by Jean-Baptiste-Camille Corot, print, 1871

The Meeting in the Woods (La Rencontre du bosquet)

Jean-Baptiste-Camille Corot

Year
1871
Medium
lithograph
Dimensions
Unknown
Museum
National Gallery of Art

About This Artwork

The Meeting in the Woods (La Rencontre du bosquet) is a tonal and atmospheric lithograph created by the renowned French artist Jean-Baptiste-Camille Corot in 1871. Although Corot is most widely celebrated for his innovative oil paintings that captured the subtle poetry of the natural world, he devoted significant time to printmaking during the later years of his career, producing highly sought-after studies and evocative graphic works. This piece demonstrates his masterful use of the lithographic medium, employing delicate tonal shading and soft focus that mimic the hazy, silvery light characteristic of his canvases.

Dating to 1871, this work falls within the crucial period of French art history spanning 1851 to 1875. Corot, often associated with the Barbizon School, stood apart from his contemporaries through his blend of classical composition and pre-Impressionistic observation. He manipulated the greasy crayon on the lithographic stone to achieve a fluid integration of foreground and background, giving the work a dreamlike depth. The subject matter implied by the title, often featuring classical or pastoral figures engaged in an intimate meeting within a dense grove or bosquet, reflects Corot’s enduring interest in integrating timeless narrative elements into idealized landscapes. This approach provided a gentle, poetic counterpoint to the more explicit Realism being developed by other artists of the era.

As a fine example of graphic output by a major 19th-century master, this print holds significant value for understanding Corot’s full artistic range. The ability of Corot to translate his distinct atmospheric style into prints ensured that his vision reached a wider audience. This lithograph resides in the collection of the National Gallery of Art, Washington D.C., where it contributes to the museum’s extensive holdings of 19th-century prints. Because of its cultural importance and classification, high-quality images of Corot's work are frequently released through public domain initiatives, providing global access for study and appreciation.

Cultural & Historical Context

Classification
Print
Culture
French
Period
1851 to 1875

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