The Market at Gisors; Rue Cappeville by Camille Pissarro French, 1830-1903 is a remarkable example of the artist’s mature interest in printmaking and urban documentation. Created sometime between 1889 and 1899, this work is a sophisticated color etching meticulously printed on ivory laid China paper, a technique that allowed the artist precise control over line and tone.
Pissarro, often called the "Father of Impressionism," dedicated his final decades to capturing the transient movement and architectural stability of French city life. While his earlier work focused heavily on oil painting, this shift towards graphic arts provided a structured means of observing the everyday. The print captures a vibrant market day in Gisors, specifically detailing the activity along the Rue Cappeville. The composition highlights the crowds of shoppers and vendors framed by the tall, characteristic buildings of provincial France, synthesizing the spontaneity of Impressionism with the rigorous structure required of the etching medium.
The classification of this piece as a print underscores Pissarro's lifelong investigation into reproducible media, viewing etching not merely as preparatory work but as a final artistic statement. This important work by the master resides within the distinguished permanent collection of the Art Institute of Chicago, providing continued access for researchers studying late 19th-century French culture and the evolution of Impressionist techniques in graphic prints.