The Lord Answering Job out of the Whirlwind is an iconic engraving created by William Blake between 1825 and 1826. This print is one of 22 illustrations commissioned for the biblical Book of Job, a profound narrative focusing on the trials, suffering, and ultimate vindication of a righteous man. The series is often considered the culmination of Blake’s career as a visionary artist and a supreme example of early nineteenth-century printmaking.
The work employs the stark precision of engraving techniques to capture the dramatic confrontation described in Job, Chapter 38. The composition centers on the moment God speaks directly to Job and his companions (all depicted as humble men) from a terrifying meteorological phenomenon. Blake visually manifests divine power through a destructive, swirling vortex of clouds and angels. Job and the three men are shown prostrated below, overwhelmed by the energy emanating from the vortex, demonstrating their minuscule place in the cosmic order.
Blake’s design successfully merges deep theological insight with his highly personalized, Neo-Classical drawing style, reinforcing the spiritual gravity of the text. His late work demonstrates an unwavering commitment to the expressive potential of line work, using it to define both the energetic motion of the celestial body and the passive submission of the figures below. While the complete set of engravings represents a masterwork, individual prints like this one, The Lord Answering Job out of the Whirlwind, are significant examples of the period’s graphic arts. This specific impression resides in the esteemed collection of the Metropolitan Museum of Art. Due to the historical age of these important biblical prints, reproductions are often widely available in the public domain for academic study and public appreciation.