The Little Horse is a masterful engraving created by Albrecht Dürer in 1505. This highly influential print is a significant example of Dürer’s mature graphic style, executed just prior to his second journey to Italy. The use of copperplate engraving allowed Dürer to achieve extraordinary detail and precise modeling, hallmarks of his Renaissance craftsmanship.
The subject centers on a powerful, classically proportioned horse standing in profile, reminiscent of ancient Roman statuary. Although the title suggests a diminutive subject, the animal is depicted with monumental dignity, reflecting the growing humanist interest in anatomical accuracy and ideal forms. Dürer’s fascination with equine structure is evident in the detailed musculature and skeletal framework. The composition subtly implies a warrior or classical figure, perhaps a study for a larger work involving cavalry or soldiers, linking the piece to the military subject matter often associated with the Renaissance fascination with weaponry and warfare.
Dürer likely drew inspiration for the composition from classical sculpture and contemporary studies on animal anatomy, elevating the portrayal of horses beyond mere genre studies. The technical skill displayed in the cross-hatching and subtle variations in line weight confirms Dürer’s reputation as one of the greatest printmakers in Western art history. As one of the artist's important independent prints, The Little Horse demonstrates his ability to imbue graphic media with monumental presence. This exceptional impression is preserved in the prestigious collection of the Metropolitan Museum of Art, where such significant prints are often studied by researchers utilizing public domain resources.