The Little Errand-Girl (Le petit trottin) is an iconic print created by Henri de Toulouse-Lautrec in 1893. This work exemplifies the artist's astute focus on the street life and working classes of fin-de-siècle Paris. The piece is a lithograph executed in black on delicate China paper, demonstrating the rich, velvety contrasts and expressive lines characteristic of the lithographic medium. Toulouse-Lautrec frequently utilized prints during this time, finding in them an effective means of disseminating his art widely and achieving the immediate, graphic impact he favored.
Working within the vibrant French artistic landscape between 1876 and 1900, Toulouse-Lautrec devoted himself to chronicling the modern condition, often concentrating on figures associated with the city’s rapid social and cultural shifts. The subject, often identified as a trottin (a young female messenger or errand-runner), represents a common, rapidly moving figure in the urban environment. Toulouse-Lautrec renders her with energetic economy, prioritizing gesture and silhouette over detailed description. Her posture suggests haste and purpose, encapsulating the dynamism of modern Parisian life that fascinated many artists of the period.
Toulouse-Lautrec’s mastery of graphic art elevated the status of the print medium from mere commercial application to high art. This particular work showcases his distinctive style: sharp observation coupled with a refined graphic sensibility that drew upon Japanese woodblock influences. The piece is classified simply as a print and resides within the extensive collection of the National Gallery of Art. It serves as a vital document of the French period spanning 1876 to 1900. Due to its historical significance, high-quality images of this work are frequently available in the public domain for academic research and study, ensuring the continued appreciation of Toulouse-Lautrec’s unique view of the capital.