The Last Judgment, from "The Small Passion"

The Last Judgment, from "The Small Passion" by Albrecht Dürer, is a powerful example of German Renaissance printmaking, executed as a woodcut in 1510. This pivotal work formed part of Dürer's influential series detailing the life and passion of Christ, a project specifically tailored for wide accessibility and distribution during an era of significant theological reform.

Dürer’s mastery of the woodcut technique allowed him to achieve a level of detail and tonal complexity typically reserved for copperplate engraving. Produced during the height of the Northern Renaissance, this print reflects the era’s intense focus on religious instruction and accessible imagery. The The Last Judgment was designed for broad circulation, a characteristic feature of the "Small Passion" series, which contributed significantly to Dürer's international fame as a graphic artist. The small scale of the work contrasts sharply with the immense, cosmic subject it addresses, demanding close scrutiny from the viewer.

The iconography centers on the central figure of Christ, who is shown enthroned in judgment above the cloud line, accompanied by surrounding angels who trumpet the final call. This depiction of the Last Judgement is rendered with the dynamic energy characteristic of Dürer's narrative style. Below Christ, figures rise from their tombs, separating into two streams: the blessed ascend toward salvation while the damned descend into the maw of Hell. The sophisticated arrangement balances theological weight with artistic innovation.

As a highly circulated example of historical prints, reproductions of this specific woodcut are often available through public domain collections worldwide. The original impression is currently held in the esteemed collection of the Metropolitan Museum of Art, where it serves as a key representation of the artist’s prolific output and his lasting influence on graphic art.