The Lamentation

The Lamentation by Albrecht Dürer, created in 1507, is a pivotal example of German Renaissance graphic arts. Executed as a meticulous engraving on laid paper, this work showcases Dürer’s unparalleled technical skill in handling the burin, transforming the print medium from a merely reproductive technique into a major artistic expression. As a highly influential artist working during the period of 1501 to 1550, Dürer fundamentally elevated the aesthetic status of prints throughout Northern Europe.

The subject centers on the intense emotional aftermath of the Crucifixion, depicting the Virgin Mary and supporting figures grieving over the body of Christ following his descent from the cross. Dürer’s compositional choices employ deep contrast and intricate line work to create form and texture, a signature characteristic of his graphic style. The emotional intensity achieved through this fine linear execution highlights the theological significance of the Passion narrative, which remained a central focus in early 16th-century religious art. This sophisticated treatment ensures that the piece functions not merely as a religious aid but as a complex artistic statement intended for profound contemplation.

Produced during the height of the German Renaissance, this print demonstrates why Dürer remains one of history’s most highly revered master graphic artists. The work is part of the distinguished permanent collection of the National Gallery of Art, where it serves as a crucial reference point for the study of Northern European prints and the technical evolution of engraving. Due to its age and cultural significance, the underlying creative work is often considered part of the public domain, encouraging widespread study and reproduction of Dürer's mastery.