The Hundred Guilder Print

"The Hundred Guilder Print" by Rembrandt van Rijn, dating to approximately 1648, stands as one of the most celebrated examples of 17th-century graphic art. This print, executed primarily in etching and drypoint, exemplifies the artist's ability to achieve unprecedented tonal depth and complexity through line work. Rijn specifically utilized rare and expensive Japanese paper for certain impressions, a choice which greatly enhanced the clarity and richness of the fine detail. The exceptionally high market value commanded by the original work in the 17th century eventually gave this intricate masterwork its famous colloquial title, reflecting its costliness even during the artist's lifetime.

The subject matter, traditionally interpreted as Christ Healing the Sick, showcases Rijn’s mastery of narrative composition, carefully grouping figures from varying social strata, including the poor, the sick, and the scholarly Pharisees, around the central figure of Christ. This large-scale print served as a high point in the Dutch master's experimentation with the manipulation of light and shadow, demonstrating effects comparable to his oil paintings. The technical complexity required to produce impressions of The Hundred Guilder Print confirms Rijn's reputation as a highly sophisticated printmaker.

The legacy of this seminal 1648 work extends far beyond its initial fame. It remains one of the most iconic prints produced during the Dutch Golden Age, and today, this definitive example of etching technique is held in the prestigious collection of the Rijksmuseum. Due to the historical and cultural significance of the work, high-quality images and prints are often made available through public domain repositories, ensuring that Rijn’s meticulous draftsmanship is accessible globally.