The Holy Family with the Three Hares by Albrecht Dürer, print, 1497-1498

The Holy Family with the Three Hares

Albrecht Dürer

Year
1497-1498
Medium
woodcut
Dimensions
Unknown
Museum
National Gallery of Art

About This Artwork

The Holy Family with the Three Hares by Albrecht Dürer is a masterful example of the German Renaissance woodcut technique, executed between 1497 and 1498. This piece demonstrates Dürer’s pioneering approach to printmaking during the crucial transition years of the late 15th century (1401 to 1500). Unlike many earlier impressions, the complexity and detail achieved in this woodcut elevate the medium from simple illustration to high art, confirming Dürer’s status as the most influential German graphic artist of his era. Created shortly after Dürer's initial trips to Italy, the work merges traditional Northern religious iconography with a newly refined sense of compositional balance and naturalism imported from the South.

The work depicts the intimate subject of the Holy Family, situated within an expansive landscape typical of Dürer's artistic vision. The central focus is the tender interaction between the Virgin Mary, Saint Joseph, and the infant Jesus. What gives the image its popular name, and distinguishes this specific print, is the presence of the three hares in the foreground. In Christian symbolism, three conjoined hares often represent the Trinity, while simultaneously referencing purity and rapid reproduction, imbuing the domestic scene with deeper theological meaning. Dürer’s meticulous linework highlights the textures of clothing and foliage, demonstrating how effectively the artist managed contrast and shadow even within the inherently demanding woodcut process.

As a pivotal work in the development of Renaissance prints, this piece continues to be highly valued for its technical sophistication and spiritual depth. Dürer’s output from this period defined the standards for graphic art for subsequent generations across Europe. The original impression of this historically significant woodcut resides in the collection of the National Gallery of Art, Washington D.C. Due to the cultural importance of the piece, high-resolution reproductions of this German masterwork are frequently available through public domain initiatives, ensuring its accessibility for scholarship and appreciation worldwide.

Cultural & Historical Context

Classification
Print
Culture
German
Period
1401 to 1500

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