The Holy Family with Joachim and Anna is a deeply significant print created by the German master Albrecht Dürer in 1511. Executed as a woodcut, this work showcases Dürer’s unparalleled ability to achieve intricate detail, complex shading, and rich tonal variation within the challenging constraints of relief printing. Produced shortly after Dürer’s major trips to Italy, the piece represents a synthesis of Northern European precision and Italian Renaissance compositional strength, marking a pinnacle in the history of German graphic arts.
The subject illustrates an expanded representation of the Holy Family, positioning the Christ Child, Mary, and Joseph alongside Mary’s parents, Saints Joachim and Anna. Dürer focuses on the intergenerational piety and sacred lineage, often emphasized in devotional art of the period. The skill demonstrated in the woodcut technique is evident in the meticulous handling of drapery folds, the sense of depth achieved through careful hatching, and the individualized, contemplative expressions of the figures.
As a highly influential work originating from the Northern Renaissance, this print offers critical insight into the religious iconography and artistic market of Germany during the early 16th century. The classification of this woodcut as a print allowed Dürer’s compositions, such as The Holy Family with Joachim and Anna, to be widely disseminated, securing his enduring reputation across Europe. This particular example of the 1511 work is housed within the distinguished collection of the Cleveland Museum of Art, where it remains a key resource for the study of prints and the legacy of this influential master. The technical excellence of Dürer’s draftsmanship ensures the continuing relevance of the piece today, often available through public domain archives focusing on early modern prints.