The Herd Returning in Stormy Weather (Le troupeau en marche par un temps orageux) by Claude Lorrain, executed between 1650 and 1651, is a masterful example of the artist's contributions to the printmaking medium. Classified specifically as an etching, this work exemplifies the development of the classical landscape tradition within French culture during the period spanning 1601 to 1650. Unlike the serene, idealized views often associated with Lorrain’s painted canvases, this piece captures a moment of dramatic tension and rapid movement.
The subject focuses intensely on the effect of weather on human and animal activity. We observe the titular herd being driven quickly across the foreground by figures attempting to outpace the heavy weather suggested by the title. Lorrain expertly employs the technical characteristics of the etching process to define the atmospheric turmoil. He uses dense lines and vigorous cross-hatching to model the dark, weighty clouds pressing down upon the landscape, conveying the palpable threat of the approaching storm. The immediacy inherent in the preparation of the copper plate enhances the sense of urgency and natural dynamism within the scene.
While internationally celebrated for his monumental oil paintings, Lorrain created numerous influential prints throughout his life, often serving as studies or reproductions of his popular landscape motifs. This image is a key contribution to 17th-century French graphic arts, demonstrating the artist’s consistent preoccupation with light, shadow, and the depiction of pastoral events interacting with powerful natural forces. The work resides in the esteemed collection of the National Gallery of Art. As a widely recognized master print, high-resolution copies of this image are frequently made available through public domain collections, facilitating comprehensive study of Lorrain’s diverse artistic output.