The Great Beech (Two Farmers with their Dog) by Jacob van Ruisdael is a foundational example of 17th-century Dutch landscape art executed masterfully in the medium of etching. Dated broadly between 1647 and 1657, this particular impression represents the rare first state of three, showcasing the early stages of Ruisdael's detailed plate work before subsequent retouching and wear.
Ruisdael utilized the meticulous control afforded by the etching process to capture the imposing scale and textural variety of a colossal beech tree, a frequent and powerful motif in his body of work. The massive, gnarled trunk dominates the center-left, its rough bark meticulously rendered through fine, expressive lines that convey the age and resilience of the subject. Below the sweeping canopy and monumental trunk, two small figures identified as farmers rest quietly with their dog, providing a crucial sense of human scale against the towering natural environment. The composition emphasizes the relationship between man and the wilderness, a prevailing thematic concern in Dutch landscape art during the Golden Age.
Jacob van Ruisdael is arguably the most renowned landscape artist of his generation. While celebrated for his grand oil paintings, these delicate, highly finished prints allowed Ruisdael's compositions to achieve wider circulation, influencing subsequent generations of printmakers across Northern Europe. This exceptional impression of The Great Beech (Two Farmers with their Dog) is currently housed within the permanent collection of the Metropolitan Museum of Art. As a culturally significant artwork from the 17th century, the image is often made available through public domain initiatives, enabling enthusiasts and scholars worldwide access to high-resolution images of these definitive landscape prints.