The good Samaritan, created by Rembrandt van Rijn in 1633, is a seminal example of the artist's early mastery of printmaking. Executed on paper, this highly detailed work showcases Rijn’s formidable technique in etching and drypoint, employing deep contrasts and subtle gradations of shadow to define the dramatic biblical scene. The production of such detailed prints allowed Rijn to disseminate his artistic vision widely, establishing him as a crucial figure in the history of graphic arts during the Dutch Golden Age.
The subject directly references the well-known New Testament parable detailing the act of mercy shown by the Samaritan man toward an injured traveler abandoned on the road from Jerusalem to Jericho. Rijn focuses on the immediate aftermath of the rescue, likely depicting the moment the traveler is brought to safety at the inn. Produced during a period when narrative prints were highly valued, the piece reflects the era’s fascination with human drama and intricate storytelling. Rijn uses light not merely for illumination but as a tool to underscore the emotional weight of the charitable deed.
This print is renowned for its compositional complexity and expressive handling of light and shadow, which emphasizes the quiet intensity of the moment. Works like this, central to Rijn's graphic output, are frequently studied for their technical brilliance and psychological depth. This specific impression of The good Samaritan is preserved in the prestigious collection of the Rijksmuseum, contributing significantly to the comprehensive holdings of Dutch master prints held by the institution. As a historic work of art, high-resolution images of the print are often made available through public domain initiatives, ensuring widespread access to Rijn’s profound narrative genius.