The Good Samaritan

The Good Samaritan is a print created by Rembrandt (Rembrandt van Rijn) in 1633. Classified as an Old Master print, this significant work from the Dutch Golden Age showcases the artist’s early mastery of intaglio processes, specifically combining etching, engraving, and drypoint techniques. The impression is identified as the fourth and final state, reflecting the meticulous adjustments Rembrandt made to the copper plate to achieve the desired richness of tone and texture in the shadows and figures.

The work illustrates the biblical allegory of the traveler who fell among thieves, focusing on the moment the Samaritan brings the injured man to the inn for care. Rembrandt structures the composition dramatically, using deep shadow to emphasize the emotional and narrative weight of the scene. The setting is dominated by large, imposing Buildings, featuring a flight of Stairs leading to the upper entrance of the structure.

In the foreground, Men are shown assisting the prone figure, while Dogs investigate the scene. The Horse that carried the injured man is attended to nearby. Rembrandt’s detailed treatment of light and atmosphere transforms the narrative, establishing the Dutch artist as one of the most inventive printmakers of the 17th century. This print is a powerful example of the era's focus on intimate yet allegorical interpretations of scripture.

This masterwork, held in the collection of the Metropolitan Museum of Art, demonstrates the technical brilliance that solidified Rembrandt's reputation in Amsterdam. The artistic complexity and historical significance of the image mean that high-resolution prints and documentation of this Baroque piece are widely accessible through public domain archives, supporting continued scholarly research.