The Garden is a foundational etching on paper created in 1902 by the influential Norwegian Modernist, Edvard Munch (Norwegian, 1863-1944). This specific impression, which exemplifies Munch's vigorous exploration of graphic arts, was expertly printed by the German master printer Otto Felsing (German, born 1854). Felsing, recognized for his collaboration with prominent Symbolists and Expressionists, executed the deep, expressive lines and varied tones characteristic of this technique.
Munch embraced printmaking—particularly etching and lithography—as a crucial means of disseminating his powerful psychological themes beyond his oil paintings. Produced during a highly productive period in the artist’s career, the work reflects the intense cultural atmosphere of early 20th-century Norway and Northern Europe. While the subject of The Garden depicts a seemingly contained, domestic setting, Munch typically infused his compositions with undercurrents of melancholy or psychological tension, often conveyed through fragmented, energetic draftsmanship. The choice of the etching medium allowed the artist to experiment with how texture and sharp contrast conveyed emotional resonance.
This specific impression of The Garden is part of the distinguished collection of European prints housed at the Art Institute of Chicago, providing scholars and the public access to a pivotal example of graphic art from the Norwegian master. Munch’s dedication to producing high-quality prints ensured the wide circulation of his imagery, cementing his influence across the European avant-garde and making many of his designs accessible in public domain art collections globally today.