The Fourth Knot (combining seven circular groups of knots with black centers) by Albrecht Dürer, executed between 1506 and 1507, is an exemplary work of German Renaissance printmaking. Classified as a woodcut, this piece belongs to a specific group of highly influential designs often referred to collectively as the “Knot Series.” The intricate composition features complex interlacing patterns built from seven distinct circular groups, meticulously arranged to create a challenging and hypnotic visual puzzle. The recurring black centers anchor the swirling lines, emphasizing the geometric precision and complexity of the overall design.
Dürer, who achieved unparalleled fame for his draftsmanship and graphic output, created these purely ornamental designs shortly after his second influential journey to Italy. While seemingly abstract, the knots demonstrate the artist’s deep engagement with geometry and mathematics, crucial areas of intellectual inquiry during the early 16th century. Produced during the period spanning 1501 to 1550, this woodcut series highlights Dürer’s unique ability to translate complex conceptual designs into reproducible prints. The extreme precision required for such detailed work elevates the quality of German prints during this era of rapid technical innovation in the visual arts.
Although these specific knot designs were sometimes used for decorative purposes or as instruction pieces for other draughtsmen, their primary merit lies in their conceptual artistry. The exceptional clarity and high contrast inherent in the woodcut technique allowed for wide dissemination of Dürer's complex geometric explorations across Europe. As a significant example of early modern German craftsmanship, the work is part of the distinguished permanent collection of the National Gallery of Art. Due to its historical age, high-resolution images of prints from this influential series are frequently made available through public domain initiatives, ensuring continued global access to Dürer’s legacy.