The Flower of Pain by Edvard Munch (Norwegian, 1863–1944) is an evocative work created in 1898, classified as a print despite its drawing-based execution. The artist employed black crayon and graphite, defining the composition on tan wove tracing paper. This specific choice of medium underscores Munch’s persistent experimentation, often blurring the traditional boundaries between drawing, monotype, and printmaking during this foundational period of modernism. The use of tracing paper gives the piece a distinctive, translucent quality, while the layered application of black crayon achieves striking texture and depth, maximizing the expressive potential of limited color.
Created during a highly productive and emotionally fraught period in Munch’s career, this piece reflects the profound psychological focus characteristic of the Norwegian Symbolist movement. Although abstract, the themes of human anguish and emotional vulnerability suggested by the title, The Flower of Pain, align perfectly with Munch’s ongoing exploration of internal states, which profoundly influenced early Expressionism. The deliberate economy of means and the stark contrasts in light and shadow heighten the raw emotional resonance.
This powerful example of Munch’s pioneering print work is part of the extensive collection held by the Art Institute of Chicago. Given the artist's passing in 1944, this historically significant work is now recognized within the public domain in many territories, allowing for broader access and study of Munch’s foundational contributions to the development of 20th-century art.
Important: ArtBee makes no warranties about the copyright status of this artwork. To the best of our knowledge, based on information from the source museum, we believe this work is in the public domain.
You are responsible for determining the rights status and securing any permissions needed for your use. Copyright status may vary by jurisdiction. See our License & Usage page and Terms of Service for details.