The Flight into Egypt: Small by Rembrandt van Rijn, executed in 1633, is a significant example of the artist's early mastery of the etching technique. Classified as a print, this small, yet highly detailed, depiction captures the solemn Biblical narrative of the Holy Family fleeing Herod’s persecution, a popular subject in religious art during the 17th century.
Created during the peak of the Dutch Golden Age—the period encompassing 1601 to 1650—this piece reflects the high demand for accessible religious imagery among the region’s rising merchant class. Rijn's command of the etching needle is particularly evident in the delicate interplay of light and shadow, visible in the rendering of the nocturnal landscape and the subtle illumination around the figures of Mary, Joseph, and the Christ Child. Unlike many larger compositions, The Flight into Egypt: Small showcases the intense precision Rijn could achieve even on a diminutive scale, concentrating profound emotion into a limited space.
The composition centers on Joseph leading a donkey carrying Mary and the infant through a dark, unsettled terrain. Rijn minimizes background detail, focusing the viewer’s attention entirely on the weary travelers and their difficult journey. This focus on human drama, combined with his innovative use of line work to define volume and atmosphere, established Rijn’s lasting reputation in the graphic arts.
As one of the master prints created by the artist in the 1630s, this work remains crucial for understanding the technical evolution of the medium. This exceptional image is housed in the permanent collection of the National Gallery of Art, making the artwork widely accessible and often available through public domain resources for scholars and students worldwide.