The Final Outing (from Les Vieilles Histoires)

The Final Outing (from Les Vieilles Histoires) by Henri de Toulouse-Lautrec, created in 1893, is a sophisticated example of the artist's masterful command of lithography. This particular impression is an only state, distinguished by its execution using a specialized brush and spatter technique printed in black ink on mounted wove paper. Toulouse-Lautrec’s innovative approach to printmaking transformed the medium from a commercial reproductive tool into a powerful form of intimate artistic expression during the fin-de-siècle era in Paris.

The subject matter centers on two human figures engaged in a seemingly mundane moment, likely captured from the marginalized or less glamorous aspects of Parisian life that the artist frequently explored. Although part of a larger series, the individual scene captures the dynamic between the individuals, emphasizing observational realism rather than idealized representation. The detailed treatment of the figures’ headwear, specifically the depiction of their hats, underscores Toulouse-Lautrec’s skill in quickly defining character and social standing through costume and gesture. The raw, almost sketch-like quality achieved through the spatter technique lends immediacy and an enduring vitality to this intimate depiction.

As one of Toulouse-Lautrec’s highly regarded prints, the work exemplifies the visual economy he achieved in monochromatic media. His commitment to depicting unvarnished reality solidified his critical standing in Post-Impressionist art. This influential piece is classified as a print and resides in the permanent collection of the Metropolitan Museum of Art. Because of its historical significance and age, high-quality images of this work are frequently accessible for study and reference within the public domain, allowing wide access to Lautrec's technical mastery.