The Fat Whore

The Fat Whore is a seminal print created by Edvard Munch Norwegian, 1863-1944, in 1897. This powerful image demonstrates Munch's innovative approach to the woodcut medium, moving beyond traditional relief techniques. Rather than simply carving lines, Munch utilized a complex array of tools including gouges, a chisel, and even a fretsaw to shape the block of wood. This technique allowed the artist to separate the block into interlocking pieces, which could then be inked separately and reassembled for printing on heavy, cream wove paper. This process was central to his experimentation, enabling the creation of richly textured, expressive fields of color and form that define his unique style among fin-de-siècle artists.

Munch's subject matter frequently explored themes of psychological angst, sexuality, and modern relationships, and this piece fits within that challenging context. Reflecting anxieties prevalent in late 19th-century Europe and specifically in Norway, the image confronts societal taboos surrounding female sexuality and marginalization. The simplification of form and the stark contrast inherent in the woodcut medium amplify the intensity of the figure, making her presence raw and direct. This work is a significant example of how Munch developed his pictorial language, transforming emotionally charged narratives into potent visual statements.

As a foundational figure in Symbolism and Expressionism, Munch's influence remains immense. This particular impression of his 1897 prints is held in the permanent collection of the Art Institute of Chicago. The lasting cultural impact of Munch’s extensive print output from this period means that many of his key images, though not this specific impression, have entered the public domain, making his emotionally charged body of work highly accessible for study and exhibition globally.