The Fall of Satan

The Fall of Satan by William Blake, created in 1825, is a powerful example of British Romantic illustration, rendered as an engraving on thick paper. Produced late in the artist's life, this work is cataloged as part of a portfolio and exemplifies the intense spiritual and imaginative themes prevalent during the period of 1801 to 1825.

Blake was renowned for his unique blend of poetry and visual art, often employing engraving techniques to disseminate his highly personal interpretations of religious and literary subjects. As a central figure in the British artistic landscape, Blake created this piece to capture the dramatic moment of Lucifer's expulsion from Heaven. The composition utilizes the stark visual language inherent in line engraving to emphasize the chaotic descent and the overwhelming scale of divine judgment. The meticulous lines carved into the plate create profound contrasts of light and shadow, underscoring the spiritual intensity of the subject matter.

The technical choice of using thick paper for this print indicates the intended quality and permanence of the portfolio this piece belongs to. The visual intensity confirms Blake's enduring status as an original and often uncompromising visionary within the history of prints.

Although this specific piece is an integral part of the collection at the National Gallery of Art, the widespread distribution of Blake's original engravings ensures that his work remains highly accessible. Due to its age and cultural significance, the iconography established in works like The Fall of Satan has often entered the public domain, allowing students and scholars worldwide to study the profound spiritual narratives that defined the artist's career.