The Fall of Satan

The Fall of Satan by William Blake, created in 1825, is a powerful example of the British Romantic artist's late visionary output. This piece is an engraving executed on thin paper, originally conceived as part of a larger portfolio exploring epic religious narratives. Blake was profoundly engaged with theological and mythological themes throughout his career, and this work falls within the crucial artistic period of 1801 to 1825, when his idiosyncratic, highly symbolic style reached its full maturity.

The subject matter, derived from Christian scripture and literature like John Milton’s Paradise Lost, focuses on the catastrophic descent of the rebellious archangel and his legions. Blake used the precision and stark linear quality inherent in the engraving technique to render the dramatic, often chaotic energy of the spiritual fall. Unlike conventional contemporary illustrations, Blake often employed sharp contrasts and highly defined forms, giving his figures a kinetic, almost weightless quality. This technical approach underscores the immense, mythic scale of the subject, transforming the event into a sublime cosmic drama.

As a pivotal figure in British art history, Blake continually redefined the potential of printmaking as a means of personal, revolutionary expression. The work reflects his lifelong dedication to articulating an internal, spiritual reality. Although originating from a specific 1825 portfolio, the enduring power and influence of this engraving mean that high-quality prints derived from this composition often circulate widely today, making the images highly accessible, sometimes through the public domain. This significant example of Blake’s late production is currently held in the permanent collection of the National Gallery of Art.