The Fall of Satan

The Fall of Satan by William Blake, created in 1825, is a powerful visual interpretation of profound mythological and theological themes. This iconic image was executed as an engraving on thick paper, demonstrating the artist’s mastery over intaglio techniques late in his career. The work, classified as part of a portfolio, exemplifies the intense spiritual and imaginative focus characteristic of the British Romantic movement during the period spanning 1801 to 1825.

Blake, renowned for his innovative approach to printmaking, utilizes the demanding nature of the engraving medium to convey dramatic movement and stark contrast. The intense linearity and complex shading create a terrifying atmosphere appropriate for the subject matter, which typically depicts the eternal descent of the rebellious angel. Although often reflecting sources like John Milton’s Paradise Lost, Blake’s unique vision translates the narrative into a purely symbolic form, emphasizing spiritual terror and sublime power rather than simple illustration. The heavy, quality paper supports the deeply incised lines, ensuring the lasting clarity and intensity of the design.

This piece confirms Blake’s status as one of the most distinctive artists working in the British cultural sphere in the early 19th century. His visionary art often bypassed contemporary aesthetic standards, positioning him as a precursor to Symbolism. The original engraving resides within the esteemed collection of the National Gallery of Art. Thanks to the period in which the work was created, many early prints and reproductions exist, and the artwork is frequently available in the public domain, ensuring that Blake’s profound output remains widely studied and appreciated globally.